protectivearts

LINEAGE AND LEGACY

Knowing the heritage and the history of your art is important. We are not so far removed from the origins of the art. O’Sensei (Morihei Ueshiba) had a direct influence on several of the shihans still teaching today, and his son (the second Doshu) was still teaching when I trained in Japan. All of us have a directContinue reading “LINEAGE AND LEGACY”

CHUDAN TSUKI

Tsuki (‘thrust’) in Aikido should replicate a knife thrust. We have focused on the high-line (jodan) first because it was a pedagogical thread from kata-dori, but also because a thrust to the face elicits a strong ‘flinch’ response. It is harder to maintain ‘zanshin‘ when pressed with a high-line attack. This morning we moved downContinue reading “CHUDAN TSUKI”

JODAN

Funes the Memorious by Borges, for me, is a poignant reminder of the dangers of specificity – missing the forest for the trees. Funes focuses only on the details to the point that everything is unique – he has no ability to form connections to extrapolate a general pattern. There is a deep lesson here. Concentrate too heavilyContinue reading “JODAN”