BAGUA OPENING HANDS

For some time now, I have incorporated a basic hand and body exercise into my “warm up” sequence from Bagua Zhang – “opening hands” (see 3:36 for a reminder). The Bagua movement in isolation may seem awkward at first. I present it as a global body movement adding trunk and hip rotation and done oneContinue reading “BAGUA OPENING HANDS”

FIVE WAYS OF ATTACK

Aikido as an attack art sounds oxymoronic. That is true only because many critics of Aikido have a moronic understanding of the art. (And one too few of us credibly counter.) Axiomatically we cannot win by defending and winning is important. But how does that necessitate an attack art? The polemical turn of phrase is the difference betweenContinue reading “FIVE WAYS OF ATTACK”

DRAWPOINT

In a self defense scenario, reaction time is one of the most important types of speed to cultivate. In traditional Japanese arts, iaijutsu is an example of a quick draw response system, now become an ossified art.[1] The Drawpoint method of deploying a knife is a modern cognate alive with potential. Drawpoint is Comtech’s refinementContinue reading “DRAWPOINT”