Why the Greek Myths Matter

Modern moral discourse increasingly treats recognition as action. We are taught that naming injustice is equivalent to refusing its benefits, that acknowledgment absolves participation, that awareness substitutes for consequence. This error is not new. It is ancient. Billie Eilish brought this pattern into focus during the 2026 Grammy Awards, when she declared, “No one isContinue reading “Why the Greek Myths Matter”

Katabasis

Neil Gaiman’s Sandman recasts Orpheus as the son of the Dream King, but otherwise leaves the ancient tragedy intact. In the television adaptation, Orpheus survives as an immortal, severed head, speaking calmly, prophetically, and with the explicit wish for death. He is neither alive nor dead, suspended between worlds. Gaiman uses this image to exploreContinue reading “Katabasis”

Orpheus

Orpheus enters the story before the world has settled. Before cities harden into law.Before heroism becomes labor.Before descent acquires technique. He is born from music, not violence. A son of Calliope, sometimes of Apollo. His power does not break resistance; it rearranges it. Stones move. Trees follow. Animals pause. What yields to Orpheus does notContinue reading “Orpheus”