The Japanese formula shu ha ri comes from classical Japanese arts where preservation, rupture, and departure were recognized as essential phases of learning. Shu means to protect or obey. It carries the sense of guarding something fragile and important, like tending a fire that someone else lit. Ha means to break or detach. The characterContinue reading “SHU HA RI”
Category Archives: Reference Materials
STRONG SIDE BACK 2
I owe the allocentric framing entirely to Mark Hatmaker. In his most recent post (The Orthodox Fighting Stance, part 2), he introduced the neurological language that gives shape to a phenomenon fighters adopt reflexively; the preference for placing the dominant side to the rear when the stakes rise. Hatmaker wrote that this posture “turns offContinue reading “STRONG SIDE BACK 2”
STRONG SIDE BACK
Mark Hatmaker recently asked why the human animal so often places its dominant side to the rear whenever power, precision, or survival are at stake. His list was broad and historically informed: the boxer with his power hand back, the batter with his strong foot behind the plate, the quarterback and pitcher who coil theirContinue reading “STRONG SIDE BACK”
Protective Arts 