TACHI DORI

The next several Saturday morning classes will be devoted to weapon-disarms, starting with sword, tachidori.

Review this post from 2019 where I presented a slightly different matrix.

The first class focused on three disarms from the outside line – two apricots (rising cut), ude kimi nage (under arm bar), and kotegaeshi (with nikkyo augmentation).

The second class presented three from the inside line – kokyu nage, shiho nage, and decapitation.

A matrix to frame the possible disarms:

ENTRYINSIDEOUTSIDE
SHALLOWshihonagekotegaeshi
ikkyo gyaku hanmi = direct
ikkyo to ude garami ai hanmi = turn
kokyunageude kime nage
2 apricots*2 apricots*
assisted decapitation**kokyuho
irimi nage (chin push) gyaku hanmi = direct or turn
kokyuho ai hanmi = turn
ai hanmi = turn
DEEPkoshinageiriminage
rokyu (arm bar)
This matrix does not encompass all the possible disarms.

Note the “turn” to adjust for hanmi – this is a rotational spin that serves to close maai as well as generate additional force.

Additional classes explored the other disarms in the matrix. The global reminder is that all un-armed techniques are actually disarms and the disarms are the origin of the un-armed techniques.

Video references:

Mulligan sensei – our founder.

Saito sensei classic presentation.

Brady sensei – an early student of Chiba sensei.

Gonzalez sensei – Tissier sensei’s protégé

Koryu origins

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* Two apricots – the disarm returns uke’s sword on a rising cut from the low line up uke’s centerline. The reference is to the incomparable Gene Wolfe‘s Shadow of the Torturer:

“The driver I pulled down must have died at once. Because I had wished to impress Dorcas, I had hoped to perform the excruciation we call two apricots; but he had fallen under the feet of the travelers and the heavy wheels of the carts. Even his screams were lost.”

** Assisted decapitation – the un-armed version is morotedori irimi nage direct.

KAGAMIBIRAKI 2022

Mike Napoli introduced the Kagamibiraki celebration to our visitors – this is a celebration of the prior year and an opening of the new. Takumi Suzuki provided the cultural background for the kagami mochi.

Kagami Mochi on the alter

Stacked rice cakes, kagami mochi, are placed at the ceremonial center of the dojo, the shinzen. Kagami mochi are shaped like old metal mirrors that symbolize full and abundant good fortune. Their breaking apart (or opening up) is the “Mirror Opening,” after which Kagami Biraki is named. Once opened, the kagami mochi is portioned out and then shared in a red bean soup.

Because covid variants are still a concern, we had to forego that tradition.

Kigami Biraki demonstrations are intended to inspire students to rededicate their spirit, effort and discipline toward training.

Mike Napoli and Chris Swan
Ty and Takumi Suzuki

Dedication to training and mirrors is a linked image: self-polishing, working on and perfecting the self and to reduce ego harkens back to the ancient concept of mirror polishing to keep the mind and resolve clear – a re-dedication to excellence.

Disgust

Molly Young covered the topic of disgust in her December 27, 2021 article in The New York Times Magazine, “How Disgust Explains Everything.” Her protagonist is Paul Rozin, a professor of psychology at the University of Pennsylvania. Young’s article is a quick introduction to the topic and Rozin’s work is important as an expansion of the individual’s understanding:

Rozin also elaborated what he called the “animal reminder” theory, which posits that disgust is a way to strenuously ignore the mountain of evidence that humans are, in fact, mammals who eat, excrete, bleed, rut and die just like every other mammal. Our hygiene laws require that we avoid playing with our own feces, as dogs do. Our sexual laws require that we refrain from having sex with our siblings, like cats, or copulating with the dead, like certain snakes, or cannibalizing our children, like rabbits. Adhering to such purity rules goes a long way toward minimizing awareness that our bodily temple is only a meat suit. One of Rozin’s most intriguing theories is that disgust operates as a foreshadowing of our own deaths. Every encounter with moldy meat is a sneak preview of the fact that we will all, at some point, become moldy meat ourselves.

Molly Young, How Disgust Explains Everything

We are inescapably mortal animals. The internalization of these biological prohibitions evoke a visceral reaction like disgust.

The implied functionalist argument, that our disgust is a reflection of a deterministic need to avoid certain behavior or food, being grounded in individual psychology seems a more granular exploration of the much earlier work by Mary Douglas in her (1966) Purity and Danger.

The anthropological perspective that Douglas provides show that disgust is a reaction to violations of purity. Understood broadly, purity is boundary maintenance: a means of demarking necessary separations. Her brilliance was distilling ethnographic details into a general understanding of the differences between the sacred, the clean and the unclean in different societies and times, to show that distinctions of purity denote areas where boundaries are important.

The clearest example is that Kosher laws are not rudimentary health-regulations or capricious mandates God, but rather a means of boundary-maintenance, a means of group-identification.

Evolutionary psychology and human sociobiology often reject the mere possibility of symbolic causality. Conversely, theories in which symbolic causality plays a central role tend to be both anti-nativist and anti-evolutionary. This article sketches how these apparent scientific rivals can be reconciled in the study of disgust. First, we argue that there are no good philosophical or evolutionary reasons to assume that symbolic causality is impossible. Then, we examine to what extent symbolic causality can be part of the theoretical toolbox of the evolutionary social sciences. This examination leads to the conclusion that it is possible to make evolutionary sense of Mary Douglas’s theory of disgust, and that her view of symbolic causality can and should inform evolutionary theories of (sociocultural) disgust.

Why Darwinians Should Not Be Afraid of Mary Douglas—And Vice Versa: The Case of Disgust