KIRI KAESHI

Uchi komi is an exercise from the low guard to the midline (ge-dan to chu-dan) and finding shidachi’s blade on the center-line. In FMA terms, it is a vertical play on the 11/12 line. Kiri kaeshi is a horizontal play on the 3/4 line delivered from 5 – seigan-no-kamai position. I am blending ‘languages’ to illustrateContinue reading “KIRI KAESHI”

JODAN

Funes the Memorious by Borges, for me, is a poignant reminder of the dangers of specificity – missing the forest for the trees. Funes focuses only on the details to the point that everything is unique – he has no ability to form connections to extrapolate a general pattern. There is a deep lesson here. Concentrate too heavilyContinue reading “JODAN”

JODAN TSUKI (Highline Thrust)

With a nod back to the thrusting triangle, it is important to remember that tsuki – the thrust – can be delivered on any line. The doce pares count is a mnemonic for you to learn that every line (slash) can be a point (thrust).  We continue to play the highline. Why? Because it is arguably theContinue reading “JODAN TSUKI (Highline Thrust)”