Knowing the heritage and the history of your art is important. We are not so far removed from the origins of the art. O’Sensei (Morihei Ueshiba) had a direct influence on several of the shihans still teaching today, and his son (the second Doshu) was still teaching when I trained in Japan. All of us have a directContinue reading “LINEAGE AND LEGACY”
Tag Archives: Mulligan
KATA DORI Sankyo and Kokyu Nage
The prior classes were all explorations of the lines of entry – the kihon (flanking), ushiro (absorbing), and irimi (closing) entries. Mastering the entries and the timing differences are critical to being able to execute techniques. First master the maai (distance) and time (kimusubi). Then we added atemi – as a facilitating device. Proper atemi of course could beContinue reading “KATA DORI Sankyo and Kokyu Nage”
HUBUD AND REACTION DRILLS
“Why do you teach other drills, why don’t you stay with Aikido?” First I warned you at the onset that I am being selfish and I am experimenting. Furthermore, I am not convinced the traditional methods of monkey-see monkey-do teaching are the best. Nor am I convinced that the exercises always get to the meat of theContinue reading “HUBUD AND REACTION DRILLS”
Protective Arts 