The Illiad

The Greeks chose, as their founding story, not triumph but rupture. The Iliad opens with epic anger: leaders divided, an army stalled, a coalition nearly undone before it reaches the walls of Troy. The ancient Greeks did not ground their civilization in harmony, but in the conditions that make order fragile; pride, rivalry, misjudgment, theContinue reading “The Illiad”

Prometheus

Before Zeus ruled, there were Titans. Prometheus belongs to that earlier generation, a survivor of the war that placed Zeus on the throne. When the Olympians overthrow Cronos and the Titans in the Titanomachy, Prometheus does something unusual: he aids Zeus (Hesiod, Theogony 617–720). At first glance the decision appears pragmatic. The new regime isContinue reading “Prometheus”

The Locus of Human Action

The funniest critique of Cartesian dualism ever put to film occurs on the moon. In Terry Gilliam’s The Adventures of Baron Munchausen (1988), Robin Williams plays the King of the Moon: a giant disembodied head floating serenely above his own detached body. The head is refined, articulate, and philosophical. The body, meanwhile, rampages below: lustful,Continue reading “The Locus of Human Action”