The funniest critique of Cartesian dualism ever put to film occurs on the moon. In Terry Gilliam’s The Adventures of Baron Munchausen (1988), Robin Williams plays the King of the Moon: a giant disembodied head floating serenely above his own detached body. The head is refined, articulate, and philosophical. The body, meanwhile, rampages below: lustful,Continue reading “The Locus of Human Action”
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Protective Arts 