Deportment is never neutral. How one stands, how one moves, and – most critically – how one does not react are constant signals. In other posts I have argued that sangfroid is not merely an affect but a form of power: the capacity to enter any encounter, including conflict, with an unflappable calm that communicatesContinue reading “KALI AND AIKIDO: SANGFROID AND THE AXIS”
Tag Archives: sang-froid
ZANSHIN AS THE PRESENTATION OF SELF
Zanshin 残心 is the relaxed state of awareness visibly displayed by the practitioner’s posture at the end of the technique. Often instructors hide behind foreign lexicon to slather a mystic veneer on the martial arts. I am a pragmatic American and for me the terms need a better explanation and translation. I crib the title fromContinue reading “ZANSHIN AS THE PRESENTATION OF SELF”
FIVE WAYS OF ATTACK
Aikido as an attack art sounds oxymoronic. That is true only because many critics of Aikido have a moronic understanding of the art. (And one too few of us credibly counter.) Axiomatically we cannot win by defending and winning is important. But how does that necessitate an attack art? The polemical turn of phrase is the difference betweenContinue reading “FIVE WAYS OF ATTACK”
Protective Arts 