SAN NO TACHI

The third paired sword exercise – we broke it down into its constituent movements of uchi komi and kiri kaeshi then rebuilt it as a flow sequence. But each component has its purpose – its bunkai. Any given point in the flow could be a terminal movement. Uchidachi’s opening gambit of kiri kaeshi could remove shidachi’sContinue reading “SAN NO TACHI”

KIRI KAESHI

Uchi komi is an exercise from the low guard to the midline (ge-dan to chu-dan) and finding shidachi’s blade on the center-line. In FMA terms, it is a vertical play on the 11/12 line. Kiri kaeshi is a horizontal play on the 3/4 line delivered from 5 – seigan-no-kamai position. I am blending ‘languages’ to illustrateContinue reading “KIRI KAESHI”

UCHI KOMI

Uchi komi is an exercise whereby a clear opportunity to attack is presented to allow for repetitive and correct training to recognize an opening and to strike. In Aikiken, the basic uchi komi exercise opens with both uchidachi and shidachi in seigan no kamai.  Uchidachi then lowers to gendan to invite shomen and when shidachiContinue reading “UCHI KOMI”