Muso Gonnosuke Katsuyoshi developed the jō from the longer bo staff after his defeat by Miyamoto Musashi. A good retelling of that tale is >here< (An example of learning from defeat: pain as a teacher.) The use of the jō in Aikido more closely resembles jukendo (bayonet) techniques than it does koryu arts like ShintoContinue reading “8 COUNT KUMIJO”
Category Archives: Class Notes
KATADORI MENUCHI
Kata dori menuchi must start with a proper grab >review< to set the logic of the encounter. Uke initiates the action by grabbing the nage’s lead shoulder (because it is closest) and performs an overhead strike (shomen uchi) with the back hand. Although nage’s shoulder is grasped, the arm remains free to move. Watch Yamada senseiContinue reading “KATADORI MENUCHI”
SHIHONAGE
The opening move of san no tachi begins with both players connecting their ken near the kissaki. Keeping the connection flat to flat, the initial move is to snappily turn uke’s blade off-line and cut the thumb while simultaneously sliding to the flank. Nage’s right hand started vertical (seigan no kamai) and now has turned nailsContinue reading “SHIHONAGE”
Protective Arts 