Demography is Destiny

When quarantine was still early, there were thoughts that because couples would be trapped inside with nothing else to do, a Covid baby-boom would result. With the lock downs starting around March 2020, the results should have been evident in December.

National Interest

Slate

There may be a chance that January and February see a rise, but the data thus far is not promising. Familiarity breeds contempt? Other reasons?

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UPDATE MAY 2022

The number of US births rose for the first time in seven years in 2021 to nearly 3.7 million, up ~1% from 2020; the projected total fertility rate rose to just over 1.66 per woman, still below the 2.1 replacement level.

UPDATE OCTOBER 2022

We also find that the COVID pandemic resulted in a small “baby bump” among U.S.-born mothers. The 2021 baby bump is the first major reversal in declining U.S. fertility rates since 2007 and was most pronounced for first births and women under age 25, which suggests the pandemic led some women to start their families earlier. Above age 25, the baby bump was also pronounced for women ages 30-34 and women with a college education, who were more likely to benefit from working from home. The data for California track the U.S. data closely and suggest that U.S. births remained elevated through the third quarter of 2022.

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Matthew Yglesias points to the need for population to maintain American hegemony in One Billion Americans: The Case for Thinking Bigger (2020). Scale is required to compete with China geopolitically. He proposes population growth via immigration, pro-family policy, and denser, better-connected cities. [1]

Visual Capitalist: size matters!

Yglesias is technocratic in his approach – focusing on transportation logistics and per acre density comparisons to argue that America can support density (if we were to triple the population, the USA would still be less than half as dense as Germany). To achieve growth, Yglesias argues we would need massive increases in immigration and aggressive housing and urbanization. And while Trump gravely tarnished the moral standing of the United States, America remains the destination of choice for migrants across the globe. Germany is a distant second choice.

Immigration is necessary because fertility rates continue to decline. Although American families claim to want (on average) 2.7 children, the trending number of children per household is 1.8 – and the replacement rate (to maintain a stable population) is 2.1 children. America is not unique: The global trend is a shrinking population.

The negative consequences to population growth are manifest – resource extraction, energy use, congestion, etc. – but the alternative, as Yglesias notes, is “a shrinking, aging, inward-looking America.” America fades, following Italy and Japan into senescence.

In The Western Canon, I point to the deep ideological divide that separates Asiatic despotism from Western individualism. This post makes the normative assertion that action is required. The simple fact is we have always been at war with Eurasia.

Wait, you think I was serious?

I am not sure Orwell would subscribe seriously to his assertion, but I do. There is an insurmountable ideological gulf between the East and West that will be resolved only through assertive defiance. Witness, the conflict between Greece and Turkey, the capitulation of Taiwan, the expansion of Russian influence, and China’s dream of dominance.

Simplify the choice: would you rather be under the surveillance-capitalistic state in America, or the direct control of authoritarian China? Neither choice is ideal but China as the world hegemonic power would be disaster for individual liberty.

It is all-too-easy for the West to be critical of its accomplishments.


    Through all the thankless years,
Cold-edged with dear-bought wisdom,
    The judgment of your peers!

Kipling wrote to inspire America to take responsibility for the Philippines, but the burden is greater than any given territory. We have the moral obligation to prevail. Kipling can be derided for political incorrectness, insensitivity, and abject racism only by moderns living under the protection of the West. The vacuous arguments of cancel culture is only possible in the West. In the West we look critically and discuss openly differences and dissenting opinions. In China, one is re-educated. For all the cultural insensitivity and horrible actions of the British and then the Americans who inherited the global empire, we can rest assured it was the best possible world. (Has history ever seen a mass exodus from West to East?) But the West is losing its confidence, it started in Europe and is spreading to America. The hand-wringing over wealth-disparity and internal political divisions has distracted us from the Great Game.

Birth Rate in Every Country since 1950 (steep decline)

Axios

https://www.axios.com/2019/05/09/birth-rate-every-country-population-demographics

https://www.visualcapitalist.com/animated-map-the-comparative-might-of-continents/

https://www.visualcapitalist.com/cp/the-yuxi-circle-the-worlds-most-densely-populated-area/

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[1] China is Not Ten Feet Tall, as covered in Foreign Affairs, March 3, 2021 – and largely because of pending demographic challenges:

China is at risk of growing old before it grows rich, becoming a graying society with degrading economic fundamentals that impede growth. The working-age population is already shrinking; by 2050, China will go from having eight workers per retiree now to two workers per retiree.

Thank you despotic one-child policies!

The overall global fertility rates are falling and projected to drop precipitously:

BBC coverage, the Atlantic presents a less dire prediction for the United States, and this overview from the Institute for Family Studies.

India has fallen below the replacement rate in most provinces

ZANSHIN AS THE PRESENTATION OF SELF

Zanshin 残心 is the relaxed state of awareness visibly displayed by the practitioner’s posture at the end of the technique.

Often instructors hide behind foreign lexicon to slather a mystic veneer on the martial arts. I am a pragmatic American and for me the terms need a better explanation and translation.

I crib the title from Erving Goffman’s The Presentation of Self in Everyday Life (1956). Goffman explains our face to face interactions are a bit of theater, a performance.[1] (Clifford Geertz later expanded the concept to entire cultures.)

Zanshin is an active state and we need to cultivate the theatrical components that reflect active awareness.

Active awareness is a two-part state. First and foremost, it means situational awareness. Constantly be aware of your surroundings: head on a swivel son! Earlier posts address Cooper’s Color Codes and situational awareness. Once active awareness is part of your habit, next deepen its internalization so that it becomes hidden. We do not want to be skittish coneys and do not always want to show others that we are aware of their hostile intentions (keep your skills secret and surprise your foe).

The second part of active awareness is being aware of your internal state, both emotionally (how are you reacting to the stimulus?) and physically (are your mechanics correct?). And here we have to incorporate an actor’s awareness. Understand that conveying zanshin is an act of display.

What are the key characteristics of that display?

Calm, sangfroid, aristocratic disdain: I group these as an aspirational attitude.

Explicating that thought. During his Silat Suffian workshops, Brian Pike shares that Maul Mornie is from an aristocratic family and that hierarchical position in society informs the body mechanics of the art. The motions are short and controlled, not exaggerated, to visibly demonstrate the higher skill. The very mechanics emphasize the superiority: I am above you socially, morally, and physically.

The postural set is vertical, spine erect, the footwork precisely controlling the distance of the encounter.

In Aikido, Yamaguchi sensei emphasized the same postural set and aristocratic poise in demonstrating his Aikido. His best exemplar, Tissier sensei also shows the same haughty equilibrium.

How do we cultivate that presentation of self?

The simple answer is train constantly so that your body contains the skills necessary to merit that level of aristocratic distance: a high level of competency. But specifically, the postures will best be inculcated through weapon work. There is a beauty in precision and that precision comes from weapons. The angles of approach are specific because the edge must hit just so and just there. Aim small miss small is a maxim from the firearms community.

Specifically what are the key characteristics?

Calm. Clarity of focus and concentrating on the basics results in what others will perceive as a calm demeanor. The best summation is:

Slow is smooth, smooth is fast

Reacting quickly and snappily to any stimulus might be effective, but indicates you were behind on your reactionary curve (OODA loop). If you are attentive and ahead on the initiative, or playing mental chess well, then your movements will be smooth and your body will display a calm assurance.

I cannot find the original source, but an often reproduced interview with Wyatt Earp highlights the lesson that the calm execution of technique during the frenetic energy of the fight is key to prevailing. “Take your time in a hurry” is a quip that is attributed to both Wyatt and Doc Holliday depending on what source you search. This is the calm, cool and collected attitude in the midst of frenetic fire.

Sangfroid. French for “cold blood” and often with a negative connotation (a ‘cold blooded killer’) but the positive sense is being self-possessed, displaying imperturbability especially under strain.

From the exterior, both sangfroid and calm may appear the same, but the nuance is that we can calm ourselves but sangfroid is a constant state. In Frank Herbert’s Dune, the Bene Gesserit litany against fear is used to create internal calm:

“I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.”

Contrast being calm (learning to calm oneself, settle your nerves, etc.) as a reactionary state with a more constant disengagement from external stimulus even while being aware of it. In Le Samourai (1967) the simple act of stealing a car shows a methodical precision that is beyond calm. Okamoto sensei introduced me to this film and I hope the connection is self-evident.

There is a detachment from the material flotsam and noise of the daily mundane – being in the world but not of the world. This does not necessarily indicate enlightenment (although the more zen influenced will point to martial training as a means to this end). Rather, it can also result from the deep internalization of confidence in superior skill: the lion does not concern itself with the bleating of sheep.

Aristocratic disdain. The internalization of confidence and resulting detachment can culminate in that aristocratic disdain. A scornful pride that barely acknowledges the presence of the opponent. Others are beneath your level of concern because they are insignificant.

Formalism and ritual rigorously circumscribe behavior – “Manners maketh man,” as re-popularized in the Kingsman (2015)

Indeed they do

Why this focus on haughty negativity?

I use these examples as descriptive references to provide examples of the external show and the internal attitudes that one may need to adopt to bolster the act. I am not dilating on the prescriptive or normative behavior one should be cultivating when learning the martial arts. I am coaching the presentation.

Is it all an act then?

Emphatically, no! But acting is a component. How you comport yourself should be a question you reflect upon and refine continuously. Acting will always be a consideration: do you hide your skill to actively deceive (ninjutsu) or do you parade it with Spartan pride and thumos – testicular fortitude incarnate?

Either presentations of self may be necessary as dictated by the situation.

But ultimately true skill will be required to back your presentation.

Virtūs et Honos

FLEXIBLE WEAPONS

Brian Pike of Silat Suffian Bela Diri provided an introduction to the scarf as a flexible weapon.

Equipment first

Flexible weapons as a generic category can include a wide variety of everyday objects – most of which were once readily available objects or farming tools, such as the latigo (whip), chains, rope, and daily dress (sarong). The use of flexible weapons is not exclusive to the Filipino arts.[1] The very phrase cloak and dagger alludes to skulduggery which etymologically points to street fighting techniques of 17th and 18th century Europe. What were once traditional tools and common clothing now are specialized martial arts tools. This is antithetical to the very spirit of flexible weapons. They were flexible because found catch as catch can in the environs as well as being non-rigid.

The shemagh was introduced to the US by soldiers returning from Afghanistan where it was a functional article and now has an ironic cachet as a fashion accessory. Brian Chilton found a shemagh, sold by a charity which provides education for Afghan children, and is an excellent (and tacticool) scarf to use everyday. Or consider the tactical bandanna from Comtech. Either can be adapted for your EDC kit.

Orientation

A flexible weapon can be deployed with a snapping whip action on a line to hit targeted points and have the distinct advantage of being able to bend over a block (and therefore still hit) as well as trap limbs and weapons to immobilize and off-balance opponents.

When training the strike, flexible weapons are snapped like a towel. It doesn’t take long to recognize that to deploy a snapping hit, every attack requires full commitment. You cannot feign a strike and the strikes cannot be repeated quickly – each one must go to its full extension, then retract to load for the next strike.

Augment a scarf (load it with shot, line it with hooks, etc.,) and it will hit with more power and do more damage, but for EDC, the scarf is a tool to distract and harry the adversary, to gain you time and positional advantage in the conflict.

Break the adversary’s initiative and get ahead of their OODA loop and you can use the gained time to either escape or close distance as the situation dictates.

Closing the gap then affords you the secondary use of the flexible weapon as a binding tool. Here skillful deployment is critical and the typical focus of workshops and seminars.

Wearing and deploying the scarf

To use a scarf quickly in a self-defense situation, it has to be worn correctly. Place the midpoint of the scarf in front of your neck, then drape each free end around the opposite side behind your head so the tails hang on your chest. To deploy the scarf, grasp the mid point under your chin and pull out and down.

Holding the scarf

The scarf is a binding tool. Once deployed grab the scarf knuckles up, hands shoulder width apart, then roll your hands forward, look at the palms so the scarf makes one wrap and grasp the fabric with your fingers. The scarf can be pulled taut and held firmly while still allowing you to release it quickly in the event that someone counter-grabs your scarf.

Snapping the scarf

Drop one end of the scarf so it hangs loosely. Twirl it as it hangs to tighten it, the tighter the bind, the easier it will be to snap. Snapping the scarf is then like using a whip, or throwing a frisbee and can be done with a side throw or on the vertical. You have to practice distance to know the range of extension. Because it is a whipping action, it is most effective when the tip is at terminal velocity and close to the end of its maximum extension. Because the scarf does not have much mass, you will need to use considerable effort to accelerate it and once snapped, to bring it back to you. Its light weight means no rebound energy and a slow redeployment.

Trapping and blocking

At long range the scarf can be used to ‘block’ by creating a moving barrier. The good ol’ figure eight is your friend here. Just like the flourish with a jo or a weaving sinawali, create a constant motion between you and your opponent. As your opponent enters you have a chance to bind their weapon as it enters the continuous loop. Be careful. Your opponent can also grab or if his weapon is bound perhaps use the scarf against you (binds go both ways…), hence be prepared to release your end.

At closer range, with the scarf held with both hands, the scarf taut, it can substitute for any short baton for blocks.[2] The advantage of a scarf over a rigid baton is that once the strike is blocked, the scarf can wrap over the opponents weapon to trap it and potentially eject it. See the video links below.

Reminder: as a general rule to start the bind, the long part of the scarf orients opposite the opponent’s weapon. If the opponent’s knife if blade up, then start the wrap at the bottom.

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YouTube Links

The bandanna as flexible weapon

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[1] Nearly every culture developed flexible military-grade weapons (usually derived from agricultural tools). Some examples: European flail, (southern) India’s urumi, Japan’s kusarigama and kusari-fundo, bolas (boleadoras) used by the gauchos of south America, and the slungshot (monkey fist).

[2] The basic expanding baton techniques as taught to police departments all follow the same generic patterns. ASP, Monadnock, all have their variations, but generally follow the same manuals.